Today, February 26, 2016, marks the 68th birthday of Nigeria’s most respected filmmaker, storyteller, director, photographer, cinematographer and producer, Tunde Kelani.
In celebration of the multiple-award winning veteran filmmaker, we bring you 22 facts about him you should know…
1. Tunde Kelani was born on February 26, 1948 in Ebute Meta, Lagos State.
2. At the age of five, he was sent to Abeokuta, the capital of Ogun State, to live with his grandparents.
3. The rich Yoruba culture and tradition he experienced in his early years, coupled with the experience he garnered at the London Film School where he studied the art of filmmaking, prepared him for what he is doing today.
4. He attended the Oke-Ona Primary School in Ikija, Abeokuta and had his secondary school education at Abeokuta Grammar School.
5. During this time, his grandfather was a Chief (the Balogun of Ijaiye Kukudi) and he was privileged to have witnessed most aspects of Yoruba ways of life, religion, literature, philosophy, environments and world view in arts at close quarters.
6. He was introduced to Yoruba literature from an early stage in his life and was also greatly influenced by theatre as the Yorubas had a very strong travelling theatre tradition at that time.
7. When he was in secondary school, he had the privilege to see most of the great Yoruba theatre classics including the Palmwine Drinkard, Oba Koso, Kurunmi, Ogunde plays and more.
8. He got interested in photography from primary school. Throughout his secondary school education, he was actively investing money and taking to time to learn photography.
9. So, inevitably, he became an apprentice photographer after he finished secondary school.
10. Later, he trained at the then Western Nigeria Television (WNTV) and went further to attend the London Film School
11. In the 1970s, Kelani worked as a BBC TV and Reuters correspondent, and in Nigerian TV.
12. For Reuters he travelled to Ethiopia to cover the drought and to Zimbabwe three times to cover Independence there.
13. Once he finished from the London Film School, he returned to Nigeria and co-produced his first film with Adebayo Faleti called The Dilemma of Rev. Father Michael. (Idaamu Paadi Minkailu). Other co-producers include Alhaji Lasisi Oriekun, Wale Fanubi – his partner from Cinekraft, Yemi Farounbi and screenplay was by Lola Fani-Kayode.
14. Tunde Kelani has also worked on many feature films produced in Nigeria in his capacity as a cinematographer.
15. Some of the 16mm feature films he worked on include: Anikura; Ogun Ajaye; Iya Ni Wura; Taxi Driver; Iwa and Fopomoyo.
16. In 1990, Kelani was an assistant director and an actor in an American drama film, Mister Johnson, shot in Nigeria. Starring Pierce Brosnan and Maynard Eziashi, the film was based on a 1939 novel by Joyce Cary.
17. TK developed a soft spot for reading at a very young age and this later developed into his favourite pastime. Starting with the five works of D. O. Fagunwa, which include Igbo Olodumare, Ogboju Ode Ninu Igbo Irunmale, Aditu Olodumare, Irinkerindo Ninu Igbo Elegbeje and Ireke Onibudo, he immersed himself in any literal work he could get his hands on in both Yoruba and English language.
18. Once he discovered the relationship between literature and drama, he adopted literary adaptations as a working model for his filmmaking. Not only does he love the books, he loves the authors too as he’s always found hanging among them.
19. His favourite writers include Kola Akinlade, Pa Amos Tutuola, Cyprian Ekwensi, Akinwunmi Ishola, Adebayo Faleti, Wale Ogunyemi and Wole Soyinka.
20. Some of his most successful films are literary adaptations and they include: Koseegbe, Oleku, Thunderbold (Magun), The White Handkerchief, The Narrow Path, Maami and recently Dazzling Mirage.
21. In 1991, Tunde Kelani started his own production company, Mainframe Films and Television Productions – Opomulero, so he could produce films and not just lend technical support.
22. Having emerged from the world of theatre and literature, adaptations of books and plays for cinema are the core of Kelani’s filmmaking practice and through them he celebrates writers and their work to what he sees as a public that reads less and less.